Alma Tadema's Oil Paintings
	Alma Tadema Museum 8 January 1836 – 25 June 1912. Most renowned painters.
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Here are all the paintings of Sebastien Bourdon 01

ID	Painting	Oil Pantings, Sorted from A to Z	Painting Description
70922		Abraham and three angels	Medium Oil on canvas Dimensions 77 x 76 cm
70455		Bacchus and Ceres with Nymphs and Satyrs	Medium Oil on canvas Dimensions Expression error: Missing operand for *51 ?? 77.5 cm
71111		drottning christina	se
70945		Fall of Simon Magus	Medium Oil on canvas
78134		Karl X Gustav	Date 1652(1652) or 1653(1653) Medium Oil on canvas Dimensions 102 x 82 cm (40.2 x 32.3 in) cyf
76205		King Charles X Gustav of Sweden	1652(1652) or 1653(1653) Oil on canvas 102 ?? 82 cm (40.2 ?? 32.3 in) cjr
87586		Le Camp de Bohemiens	Date 17th century Medium Oil on canvas Dimensions 66.7 x 88.5 cm (26.3 x 34.8 in) cjr
70834		Le crucifiement de Saint Pierre	Medium Oil on canvas Dimensions Unknown
75076		Mineralogist	Date 1883 Medium Oil on canvas cyf
69087		Montpellier	1652-53 olja pa duk 72x58 se
83372		Portrait of Ebba Sparre	. 1653(1653) Medium Oil cyf
96038		Presentation in the Temple	circa 1644(1644) Medium oil on canvas cyf
80674		Queen Christina	Medium Oil on canvas Dimensions 72 x 58 cm (28.3 x 22.8 in) cjr
84870		Queen Christina	Oil on canvas Dimensions 72 x 58 cm (28.3 x 22.8 in) cyf
75498		Queen Christina of Sweden on Horseback	1653(1653) Oil on canvas 383 X 291 cm (150.8 X 114.6 in) cjr
77363		Queen Christina of Sweden on Horseback	1653 stor Date 1653(1653) Medium Oil on canvas Dimensions 383 ?? 291 cm (150.8 ?? 114.6 in) cyf
69002		Sacrifice of Noah	c. 1640 oil on canvas
72093		Solomon making a sacrifice to the idols	Solomon making a sacrifice to the idols cjr
84504		The Beggars	Date between 1635(1635) and 1640(1640) Medium Oil on wood Dimensions Height: 49 cm (19.3 in). Width: 65 cm (25.6 in). cjr
73396		The Mineralogist	1883 Oil on canvas cjr

Sebastien Bourdon

(2 February 1616 - 8 May 1671) was a French painter and engraver. His chef d'œuvre is The Crucifixion of St. Peter made for the church of Notre Dame. The Finding of Moses, c. 1650 (National Gallery of Art, Washington)Bourdon was born in Montpellier, France, the son of a Protestant painter on glass. He was apprenticed to a painter in Paris. In spite of his poverty he managed to get to Rome in 1636; there he studied the paintings of Nicolas Poussin, Claude Lorrain and Caravaggio among his eclectic selection of models, until he was forced to flee in 1638, to escape denunciation by the Inquisition for his Protestant faith. Bourdon's facility rendered him adept at portraiture, whether in a dashing Rubens manner or in intimate, sympathetic bust-length or half-length portraits isolated against plain backgrounds that set a formula for middle-class portraiture for the rest of the century, landscapes in the manner of Gaspar Dughet or cappricci of ruins, mythological "history painting" like other members of Poussin's circle or the genre subjects of the Dutch Bamboccianti who were working in Rome. His eclectic range of styles have given art historians exercise in tracing his adaptation of his models, while the lack of an immediately recognizable "Bourdon style" has somewhat dampened public appreciation. In 1652 Christina of Sweden made him her first court painter. Bourdon spent most of his working career outside France, where, though he was a founding member of the Academie de peinture et de sculpture (1648), he was for long largely dismissed as a pasticheur, a situation partly rebalanced by a comprehensive exhibition in 2000 of his work at the Musee Fabre, where the collection includes a fine Lamentation painted in the last years of his life. His success required the establishment of an extensive atelier, where, among his other pupils worked Nicolas-Pierre Loir and Pierre Mosnier. He died in Paris in 1671.

All the Alma Tadema's Oil Paintings

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